Oh me oh my...
Get out of your 1950's fantasy,
Your face shines with misery transparently.
Spew out that sobering
Half-assed victim rhetoric,
Make 'em all squirm
While they chew on it.
It's a secret handshake
And a passing wink of the eye
As the witches bridge club weekly
Meets to pen the tail on the sly.
But they never ask: "Why, oh why,
Don't we raise our voices to the sky?"
Instead you're mute and fawn,
Just waiting to die,
Like some kind of hopeless housewife.
But you can change while you're alive
And let 'em all know
At least you tried
To kill the demons inside.
Oh me oh my...
Damn your transcendental paralysis,
We can work together
And make sense of this.
Don't be so sure
you can chuck it all away,
You've got to proceed
No matter how bad you want to stay.
It's a natural cause
And a comfort zone
There in your head.
And the world turns away
As you tap the snooze button in bed,
But nobody can hear a word you said.
Your history was never read.
Instead you're mute and fawn,
Just waiting to die,
Like some kind of hopeless housewife.
But you can change while you're alive
And let 'em all know
At least you tried
To kill the demons inside.
Version | Length | Release | Catalog ID | Country | Format | Year |
---|---|---|---|---|---|---|
Album version | ||||||
2:58 | The New America | United States | 12" | 2022 | ||
2:58 | The New America | Russia | MC | 2019 | ||
2:58 | The New America | United States | 12" | 2018 | ||
2:58 | The New America | Europe | 12" | 2018 | ||
2:58 | The New America | United States | 12" | 2018 | ||
2:58 | The New America | Europe | 12" | 2013 | ||
2:58 | The New America | 6998-1 | Europe | 12" | 2013 | |
2:58 | The New America | Europe | 12" | 2013 | ||
2:58 | The New America | 6998-1 | United States | 12" | 2010 | |
2:58 | The New America | 6998-2 | Europe | CD | 2008 | |
2:58 | The New America | Europe | MC | 2000 | ||
2:58 | The New America | United States | MC | 2000 | ||
2:58 | The New America | Poland | MC | 2000 | ||
2:58 | The New America | Canada | CD | 2000 | ||
2:58 | The New America | QDCA 93300 | Japan | CD | 2000 | |
2:58 | The New America | 83303-4 | United States | MC | 2000 | |
2:58 | The New America | n/a | Thailand | MC | 2000 | |
2:58 | The New America | Turkey | MC | 2000 | ||
2:58 | The New America | Germany | 12" | 2000 | ||
2:58 | The New America | 83303-1 | United States | 12" | 2000 | |
2:58 | The New America | 83303-2 | United States | CD | 2000 | |
2:58 | The New America | No catalog ID | United States | CD | 2000 | |
2:58 | The New America | A2 83303 | United States | CD | 2000 | |
2:58 | The New America | Europe | CD | 2000 | ||
2:58 | The New America | DRA 498124 2 | Germany | CD | 2000 | |
2:58 | The New America | ESCA 8152 | Japan | CD | 2000 | |
2:58 | The New America | ESCA 8152 | Japan | CD | 2000 | |
2:58 | The New America | DRA 498124 5 | Europe | CD | 2000 | |
2:58 | The New America | Australia | CD | 2000 | ||
2:58 | The New America | DRA 498124 2 | Europe | CD | 2000 | |
2:58 | The New America | 83303-2 | United States | CD | 2000 | |
2:58 | The New America | Germany | CD | 2000 | ||
2:58 | The New America | DRA 498124 7 | 498124 7000 | Germany | CD | 2000 | |
2:58 | The New America | n/a | Bulgaria | MC | 2000 | |
2:58 | The New America | Brazil | CD | 2000 | ||
2:58 | The New America | 2A-83303 | United States | CD | 2000 | |
2:58 | The New America | n/a | United States | CD | 2000 | |
2:58 | The New America | 2-498124 | Argentina | CD | 2000 | |
2:58 | The New America | ZK07115 | Russia | CD | 2000 | |
2:58 | The New America | Canada | CD | 2000 | ||
2:58 | The New America | Europe | CD | 2000 | ||
2:58 | The New America | United States | CD | 2000 | ||
2:58 | The New America | Ukraine | CD | 2000 | ||
2:58 | The New America | Russia | CD | 2000 | ||
2:58 | The New America | n/a | United States | CD | 2000 | |
2:58 | The New America | PRCDA2-83303 | United States | CD | 2000 | |
2:58 | The New America | 83303-2 | United States | CD | 2000 |
OscarDigitalDude
The Devil In Stitches
![]() ![]() Location: Pasadena, CA Status: Offline Posts: 348 |
"Spew out that sobering half-ass victim rhetoric" is probably the most memorable line in this song to me. It's telling you not to wait for things to happen, you have to make them happen. The victim role is just an excuse not to persevere.
03/05/2012 at 02:18
"Spew out that sobering half-ass victim rhetoric" is probably the most memorable line in this song to me. It's telling you not to wait for things to happen, you have to make them happen. The victim role is just an excuse not to persevere.
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Mike
Guest
![]() ![]() Location: Global Citizen |
My take on "The Hopeless Housewife" is that it correlates with the rest of 'The New America' album. The theme to this album seems to be about a social and political reform, leading to a better and new america. Graffin uses the 1950's housewife to paint a picture of modern day americans. "Nothing shaines through misery transparently" Graffin says to say that on the outside, the 1950's housewives were all smiling and happy where in reality they were deeply depressed. Yet, they chose to do little about it for quite sometime. We are facing similar problems today with our adminitrations that anyone whio pays attention can tell. Graffin says are just mute and fawn and waiting to die, but we can change while we're alive. We have the power as american voters to take back our nation to the way our founders set it up. The entire albums speaks of the same issues and is very optomismic in saying that there will abe a way and that we do have a chance, but it's a long way to the promise land. Late.
10/06/2004 at 02:28
My take on "The Hopeless Housewife" is that it correlates with the rest of 'The New America' album. The theme to this album seems to be about a social and political reform, leading to a better and new america. Graffin uses the 1950's housewife to paint a picture of modern day americans. "Nothing shaines through misery transparently" Graffin says to say that on the outside, the 1950's housewives were all smiling and happy where in reality they were deeply depressed. Yet, they chose to do little about it for quite sometime. We are facing similar problems today with our adminitrations that anyone whio pays attention can tell. Graffin says are just mute and fawn and waiting to die, but we can change while we're alive. We have the power as american voters to take back our nation to the way our founders set it up. The entire albums speaks of the same issues and is very optomismic in saying that there will abe a way and that we do have a chance, but it's a long way to the promise land. Late.
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Tina727
Guest
![]() ![]() Location: Global Citizen |
Femenists are commonly looked down upon as radicals and man-haters and a variety of other terrible titles. However, they stand for issues that many women actually support or cry out for in their minds, and that is what BR is trying to relate. Every woman who has found herself huddled behind her husband, donning yellow dish-washing gloves, stifles her own views to some extent and BR is desperately trying to coax their secret hopes and beliefs into the open. "But you can change while you're alive!" he calls to all the women who are repressed under the weight of peer pressure and the old cult of domesticity that has never faded from American culture. Like the title of the album suggests, he is calling for a new America, and it is time, I believe he is saying, for the voiceless women who live in "1950's fantasies" to erupt and even support feminists (God forbid).
07/17/2004 at 12:02
Femenists are commonly looked down upon as radicals and man-haters and a variety of other terrible titles. However, they stand for issues that many women actually support or cry out for in their minds, and that is what BR is trying to relate. Every woman who has found herself huddled behind her husband, donning yellow dish-washing gloves, stifles her own views to some extent and BR is desperately trying to coax their secret hopes and beliefs into the open. "But you can change while you're alive!" he calls to all the women who are repressed under the weight of peer pressure and the old cult of domesticity that has never faded from American culture. Like the title of the album suggests, he is calling for a new America, and it is time, I believe he is saying, for the voiceless women who live in "1950's fantasies" to erupt and even support feminists (God forbid).
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Anna
Guest
![]() ![]() Location: Global Citizen |
This song is about standing up and defending your opinions, no matter how you think people will react to them. It is important to change things that you feel are unjust, and even if you don't succeed, at least you'll have tried and the decent people will respect your efforts. But if you do nothing, you might as well just sit down and wait to die because you're not helping the cause. Also, you should never abandon a goal because the fear that you might lose something along the way. 'You've got to proceed no matter how bad you want to stay.' No one should be silenced because someone tells them they're wrong, that is something I'm sure many of us have had to deal with.
07/17/2004 at 12:01
This song is about standing up and defending your opinions, no matter how you think people will react to them. It is important to change things that you feel are unjust, and even if you don't succeed, at least you'll have tried and the decent people will respect your efforts. But if you do nothing, you might as well just sit down and wait to die because you're not helping the cause. Also, you should never abandon a goal because the fear that you might lose something along the way. 'You've got to proceed no matter how bad you want to stay.' No one should be silenced because someone tells them they're wrong, that is something I'm sure many of us have had to deal with.
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Crass
Guest
![]() ![]() Location: Global Citizen |
Not necessarily about the empowerment of women, but about the need for a person to stand up for how the feel and make a lasting difference to the world- your history was never read, instead your mute and fawn, just waiting to die... clearly a message to change the world as much as you can- a reoccurring theme in Bad Religion songs.
07/17/2004 at 12:01
Not necessarily about the empowerment of women, but about the need for a person to stand up for how the feel and make a lasting difference to the world- your history was never read, instead your mute and fawn, just waiting to die... clearly a message to change the world as much as you can- a reoccurring theme in Bad Religion songs.
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